Browse Items (3220 total)

Couple with Celestina and angel, by Alenza y Nieto (1840, c.)
In the image appears a couple in the center to the left appears an angel playing an instrument and to the right an old woman with her head covered representing Celestina.

The fight, by Alenza y Nieto (1840, c.)
Interior scene where four figures appear. A young woman seated to the right, an old woman with her head covered and a club next to the young woman, a man standing in front of the young woman, and a child lying on the ground next to the young woman.…

Scene at the door of a tavern, by Alenza (1840, c.)
In the scene, a group of people, a horse, a dog and a man playing the guitar appear at the door of a tavern. In the crowd appears a young woman with a mantilla and next to her an old woman with a covered head that resembles a procuress.

Celestina, by Alfredo (1995 c.)
Illustration presented in Celestinescavol. 19, no. 1 & 2. Made by Alfredo, possibly as part of an artistic work for a specific edition.

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Representation of the Salvador Novo Theater of the ENAT, Ciudad de México, 2014
¡PUTA VIEJA! ("OLD WHORE!")Flamenco cantata for La Celestina Adaptation and direction: Antonio Algarra Author: Fernando de Rojas Duration 60 min. Scenography: Perla Xóchitl Tinoco Escobedo Make up and costumes: Israel Anaya Benavides Lighting:…

Representation of the Teatro Nacional, Bogotá, by Alí Triana, 1999
Cast:Fanny Mikey- CelestinaSantiago Moure- CalistoMargarita Ortega- Melibea Ramiro Meneses- PármenoÁlvaro Rodríguez- SempronioAna Soler- AreúsaLuly Bossa- EliciaAlberto León Jaramillo- PleberioViviana Navas- LucreciaSandra Guzmán- Alisa

La Celestina, by AliceInNightmareland (sic) (2007)
A compilation of images based on the artist's school notebook. The drawing is inspired by the painting Celestina, by Picasso (1904)

Drawing of Celestina, by Almada (1930)
Image of Celestina with a child in her arms and a girl sitting next to her in the brothel she runs. The accompanying text clearly describes the old woman holding the child as Celestina:
"Sale Carmen y la Celestina con el niño en brazos. Carmen va a…

Representation of Salón Teatro in Santiago de Compostela, La Coruña, 2000
A Celestina, comedia dos tolos amores de Calisto e Melibea ("The Celestine, comedy of the crazy loves of Calisto and Melibea")Author and director: Eduardo AlonsoProduction: Teatro do NoroesteShow funded by the IGAEM and INAEMMusic: Chefa…

Cover of the Edaf Bookstore: Madrid edition, 1991
A montage of an old woman with a cane and two lovers reclining against a tree. It resembles an old painting.

Representation of the Casa de las Artes, Coquimbo, Chile, by Álvarez Godoy, 2014
Celestina ahora ("Celestina now")Direction: Héctor Álvarez Godoy The Interventors Theater Collective ("Colectivo Teatral Los Interventores") (Chile) Performance: Claudia Hernández LópezIntegral design: Claudio Hernández G. Musical composition: Juan…

A little soup, by Álvarez (1885)
Original title:Una sopita ("A little soup").The engraving shows an interior scene where four figures appear: two young people sitting talking, an old man sitting next to them watching them while he eats, and a young woman leaving the room. The…

Portada de la edición italiana de Collezione Universal, 1943
Italian translation.

An unusual cover that depicts Celestina. Drawn in grey-scale, her calculating expression shows her unsavory intentions. Interestingly, in place of a veil imitating a nun's habit, she wears a head covering that could be…

Cover of the Collezione Universale edition, 1943
Italian translation.

A grey-scale illustration of a young man and woman, both young and lavishly dressed, with their heads inclined towards each other in conversation. It is a depiction of Calisto and Melibea.

Cover of the Francisco Alves edition, 1998
Portuguese translation. The cover is a reproduction of the cover of the Valencia edition, 1514.

Representation of the Almagro Festival, Almagro, by Amador, 1996
Representation directed by Charo Amador for the Almagro classical theater festival of the Royal Superior School of Dramatic Art.

2 photos of the staging, Celestina and another male character.

Underground comic with Celestina character, from Amor Amateur (2016)
Underground comic published in Daemon Club. It includes the character of Celestina that has the ability to travel through time. Erotic tone.

Illustration of act XVI of the Barcelona edition (1525)
Four factotums with the names of Pleberio, Alisa, Lucrecia and Melibea (with a flower).

Representation of the Musée du Petit-Palais, Paris, by Amyl (1981)
Paris Festival
Decoration by Jean-Guy Lecat, Hortense Guillemard

Cast: Judith Magre, Sylvie Orcier, François Clavier, Catherine Hubeau, Emmanuel Dechartre, Emmanuelle Stochl, Monique Brun, Michel Robbe

La Celestina, by Anachronic-Doll (2009)
An artistic work on the website DeviantArt for a literature class by the user Anachronic-Doll.

Cover of the novel The Brothel Keeper (La madama), by Concha Alós (1973)
Cover with a woman covered in a Celestina-like way. In the work, there is a woman that encourages another to prostitute herself.

Advertisement card for the restaurant La Celestina, Madrid (2000 c.)
Blue monochromatic fragment of the painting Patronage of the Arts by the House of Habsburg(Patronazgo de las artes por la casa de Habsburgo), by Julius Victor Berger (Kunsthistorisches Museum of Vienna). The seated young woman is Isabella of…

Satyrical painting from the XIX century, anonymous. (Cuadro satírico del XIX).
A matchmaker and her pupil, who shows a leg, are surprised by a priest and a women that exit a house and are scandalized. Possible ironic reference to the priest that carries a little boy.

Two Men and a Matchmaker (Dos hombres y una alcahueta), ceramic from Apulia, scene from a comedy (4th century B.C.)
Comedy scene (phylakes) with characters with masks and matchmaker on the side, in red and black ceramic.

Matchmaker from Greek comedy on a mosaic (2nd century B.C.)
Scene from the comedy Synaristoi by Aristophanes or another comedy from the New Comedy in which there is a matchmaker, probably Philatinies and a hetaera and other characters. Banquet scene.See more extant variants of this scene…

Coaster from Melibea club, Jaca, Spain (circa 2000)
Original ink illustration in naive style of Melibea and Celestina with a heart and a sun.

Portada de Medina del Campo, 1530.
Two factotums of a man and a woman, thought to represent Calisto and Melibea.

Blanket or bedspread with scene from La Celestina (1615)
Blanket of Portuguese origin with scenes from the play and the names of Calisto and Melibea. It is kept at the Victoria and Albert Museum of London.

Los españoles pintados por sí mismos, de anónimo (1851)
A young woman in the center of the drawing. On the left, an old woman looking at her, on the right a young man looking at her.

El huerto de Calisto y Melibea, theater (2000 c.)
Cut out puppet theatre of Melibea's garden with the characters from the play. The front page, in English and Spanish, includes a summary of the story and explains that the garden is near Salamanca's Old Cathedral, which clearly appears in the…

Image of act I of the Medina del Campo edition (1536)
Five factotums and seven names above: Calisto, Melibea --Elicia underneath --, Parmeno --underneath Crito--, Sempronio and Celestina. The double names are as if it were recognized that the same image is for two characters at a time.

Image of act II of the Medina del Campo edition (1536)
Three factotums of Calisto, Sempronio and Pármeno.

Image of act III of the Medina del Campo edition (1536)
Factotums of Sempronio, Celestina and Elicia.

Image of act IV of the Medina del Campo edition (1536)
Factotums of houses, Celestina, Lucrecia, Alisa and Melibea among plants.

Image of act V of the Medina del Campo edition (1536)
Factotums of houses, Celestina, Sempronio, Pármeno and Calisto.

Image of act VI of the Medina del Campo edition (1536)
Factotums of a tree, Calisto, Celestina, Pármeno and Sempronio.

Image of act VII of the Medina del Campo edition (1536)
Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Image of act VIII of the Medina del Campo edition (1536)
Factotums of Pármeno, Areúsa, Calisto, Sempronio and a tree.

Image of act IX of the Medina del Campo edition (1536)
Six names and five only factotums: Sempronio, Pármeno, Celestina, Elicia, Areúsa and Lucrecia.

Image of act X of the Medina del Campo edition (1536)
Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Image of act XI of the Medina del Campo edition (1536)
Factotums of Celestina, Sempronio, Calisto, Pármeno and Elicia.

First image of act XII of the Medina del Campo edition (1536)
Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Second image of act XII of the Medina del Campo edition (1536)
Double scene. On the left the judge, a soldier and a dead or executed body of a man; on the right, Celestina's death at the hands of Pármeno and Sempronio, with Elicia tearing at her hair.

First image of act XIII of the Medina del Campo edition (1536)
Factotums of houses, Calisto, Tristán, Sosia and a tree.

Second image of acto XIII of the Medina del Campo edition (1536)
Scene of the execution of Pármeno and Sempronio, although it only shows one culprit being executed, two soldiers and Tristán as witness. There doesn't appear to be a judge in the scene.

Imagen del acto XIV de la edición de Medina del Campo (1536)
Scene of Calisto entering the garden with the ladder, where Melibea and Lucrecia wait for him. Outside, holding weapons, are Sosia and Tristán. One of the two has a finger against his mouth, as if in a gesture of silence. This image repeats as the…

Image of act XV of the Medina del Campo edition (1536)
Factotums of Elicia, Centurio and Areúsa.

Image of act XVI of the Medina del Campo edition (1536)
Factotums of Melibea, Lucrecia, Pleberio, Alisa and a house.

Image of act XVII of the Medina del Campo edition (1536)
Factotums of Elicia, Areúsa and Sosia.

Image of act XVIII of the Medina del Campo edition (1536)
Factotums of Elicia, Centurio and Areúsa.

First image of act XIX of the Medina del Campo edition (1536)
Factotums of Sosia, Crito, Calisto, Melibea and Lucrecia.

Second image of act XIX of the Medina del Campo edition (1536)
Image repeated from XIV: scene of Calisto with the ladder entering the garden, where Melibea and Lucrecia wait for him. Outside, with weapons, Sosia and Tristán. One of the two with a finger to his mouth in a gesture of silence.

Third image of act XIX of the Medina del Campo edition (1536)
Scene of the retrieval of the body of Calisto by his servants Tristán and Sosia.

First image of act XX of the Medina del Campo edition (1536)
Factotums of Pleberio, Lucrecia and Melibea.

Second image of act XX of the Medina del Campo edition (1536)
Scene of the suicide of Melibea with her falling and Pleberio with his arms raised at the foot of the tower.

Colombian escorts and models service logo (2015)
Website logo from Colombia that offers sexual services by women. The logo looks as if it was taken from Victoria's Secret, although the crown and the name La Celestina are of a different origin.

Plate painted with gallant scene and procuress, anonymous (c. 1700)
A plate with a scene of a suitor and a young woman; a procuress facilitating the negotiation behind.

Comic La Celestina, anonymous (2017 c.)
An anonymous comic made using a software program that allows one to create comics using preexisting images. Probably an assignment by a student in secondary school.

Cover page of the Medina del Campo edition (1536)
Composite images of two paintings. On the left is the garden with Calisto and Melibea inside and a servant and horse outside. On the right Celestina is knocking on the door while holding the string and Lucrecia is standing at the window. The model is…

Tin bas-relief of a Celestina type scene, by anonymous (1900, c.)
Bas reliefi in tin of a plate to hang. It represents a scene of lovers in a garden and an older woman looking upon them from a window. It may be part of the Celestina tradition, but this exact distribution of the characters is not traditional.

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In the image appears a naked young woman (Danae) picking up coins that fall from a cloud. To her side, an old woman looking at her that acts as her procuress.

graffitti.jpg
Graffiti of Calisto, Melibea and Celestina in Castrogonzalo, Zamora, Spain. Calisto and Melibea appear lying with their heads towards the center, while Celestina appears in the middle of the two as if joining them.

Scene with Celestina, by anonymous (1900, c.)
Calisto and Melibea appear in the scene looking at each other outside a house. Melibea looks out the window while Calisto appears outside and looking at her. In the window on the right, Celestina appears looking at Calisto and Melibea.

Coasters from La Celestina wine bar, brewery and restaurant, by anonymous (2000, c.)
Coasters from La Celestina wine bar, brewery and restaurant, in Santander Street, 6, Burgos, Spain. Celestina's face and the name "La Celestina" appear on the coasters with ice cubes in the background.

Caricatures of Celestina in the satirical newspaper Don Junípero from the 19th century, by anonymous, Cuba (1862)
Two caricatures appear in the newspaper. Both are in the headline of the newspaper that is repeated in subsequent issues. In the black and white caricature an old woman with her head covered appears, who may represent the procuress (first image). The…

The procuress, by anonymous (1625, c.)
Anonymous author, attributed to the Dutch School of the early 17th century.On the mount there is an old attribution in black chalk that reads "Jan Boucchorst". (see Sotheby's…

Young woman with crown and procuress, by anonymous (1800, c.)
Original title: Junge Frau mit Krone und Kupplerin ("Young woman with crown and procuress").

In the image appears a young woman looking at the viewer and holding a crown. Beside her appears an old woman looking at the young woman and showing her a…

The procuress, by anonymous (1850, c.)
In the image appears a young couple in the foreground. Next to the young woman appears an old woman with her head covered looking at them. Several men also appear surrounding the couple. By the title it is understood that the old woman acts as a…

Mr Emilio Castelar dressed as Celestina, by anonymous (1894)
In the drawing appears Mr Emilio Castelar dressed as Celestina, with a mustache, dress, shoes and his head covered. Underneath the drawing appears the following text (translated):"Ms Emilia (Celestina) after working so hard to position Venturita came…

Calisto and Melibea tattoo, by anonymous (2022)
Codex Manesse tattoo that the person got for its reference to Calisto and Melibea, as suggested by the cover of Esther Borrego's edition of Celestina (Cover of the Cooperación Editorial edition: Madrid, 2002) and the Bookmark Calisto and Melibea,…

Celestina on a donkey, by anonymous (1862)
The image contains two scenes; the first image shows a carnival scene where elegantly dressed men and women appear with some of them wearing masks. In the second image, people appear in disguise and with instruments such as umbrellas or brooms. In…

Celestina telling a story to two children, by anonymous (1886)
In the drawing appears an old woman with her head covered, reminiscent of Celestina, talking to two children. From the word that appears in the image "Stories", the image can be interpreted as an old woman telling a story to two children. The gesture…

Celestina as Mrs Lent, by anonymous (1886)
In the image appears an old woman reminiscent of Celestina with her head covered, holding a club and what looks like a rosary hanging from her hip. On the left is a human body with the head of a donkey and a guitar on his shoulder. On the donkey's…

50121bf8a0276b7407d0bbb0335141a5.jpg
In the image appears an old man with a hat and a club and an old woman with a hat reminiscent of Celestina. They are both in front of a building that, from the joke that appears below the image, it is understood that it is a school that the old woman…

Celestina negotiating the dowry, by anonymous (1914)
In the image appears an old woman with her head covered talking to a man. On the left and with her back towards the two characters appears a woman. The image was published in the foreign humor section of the magazine, so the clothing of the…

Celestina del Ampurdán, by anonymous (1975)
Puppet in the play Les Aventures d'en Malic("Malic's adventures").Puppet doll of an old woman in a red dress representing the celestina.

Mother Celestina, by anonymous (1977)
Festas Gordas del Vino y del Tocino, by Miguel Romero Esteo.

Puppet of a woman with a covered head representing Mother Celestina.

Caricature of Celestina in tribute to the actress Irene López Heredia, by anonymous (1957, c.)
Caricature in tribute to the actress Irene López Heredia, that appears in the theater critic of "La Celestina" represented in the Eslava Theater, Madrid, in ABC, Madrid, titled "Tribute to Irene López Heredia on the occasion of the hundred…

Caricature of the representation directed by Tamayo, by anonymous (1978, c.)
Caricature that appears in the theater critic of "La Celestina" adapted by Camilo José Cela and directed by José Tamayo in ABC, Madrid titled "A grand literary version of "La Celestina"" ("Una gran versión literaria de "La Celestina""), by…

Caricature of the representation directed by Marsillach, by anonymous (1988, c.)
Caricature that appears in thetheater critic of "La Celestina" adapted by Gonzalo Torrente Ballester and directed by Adolfo Marsillach inABC, Madrid titled "Another version of "La Celestina" at the National Dramatic Center" ("Otra versión de "La…

A trickster, single sheet, by anonymous (1870)
The image shows a woman described as "a new celestina" who appears on top of a well speaking to a group of people who are watching her.Text at the bottom of the image:"A new Celestina,half a witch at leastwith her lies and trapsshe scammed an entire…

Illustration of the Second Celestina, by Salazar y Torres (1850, c.)
The image on the cover shows a scene from the second journey in which Celestina tricks them with a mirror.
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